Costumed Self-Portrait
God has left a lamp on
in autumn’s living room.
Though the humid months
have gone, taking with them
their concentric circles of sweat
and dirt, the air weighs more
than dropped pennies,
and I shift side-to-side between
my curtains of skin, as though living
permanently in a too-itchy
Halloween costume.
Remembering the year I dressed
as a goblin with a carrot tied
around my nose, sitting
in a clumsy heap of flesh on
the floor eating Butterfinger
after Butterfinger,
the way a howler monkey
uses its hairy fingers to pry
open coconuts.
The way, even then,
humiliation was fullness,
was empty wrappers,
crinkling cellophane,
my chocolate-stained
Cheshire grin. Humiliation
which, if you let it, can feel
like being followed for blocks
by a man with dark glasses and
a baseball cap pulled low over
his face, except that when you do
make it home to your basement
apartment, you invite him in,
and the two of you make
popcorn on your greasy little
stove, eating it by the handful
next to one another
on barstools.
I don’t know, maybe
the whole world suffers
quietly from Stockholm syndrome
against their own rib cages, and
even the monks, in their Alpine
hideaways, shudder to think
of their stomachs pressing up
against their white robes,
dreaming, as they always have,
of shapelessness.
That October, passing along
a sidewalk cobwebbed with tree roots,
my young limbs under the scratching,
suffocating yoke of my homemade
goblin, I happened upon a broken
mirror lying on the curbside,
glistening in the ochres of late
afternoon. My face in it,
sliced beyond recognition. My
shoulders and torso tangled
as city traffic, tangled as
the curls on my small head
that night when I finally
pulled off my goblin’s mask,
laid back on my bed, and realized
I was growing.